Borrowed anthems
The songs you always loved weren't written by who you think
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You're at a barbecue, and someone puts on "Hound Dog." Everyone loves it, and everyone assumes it's pure Elvis. Then someone says, "You know he didn't write that, right?" Or maybe you're at a summer party and "Livin' on a Prayer" comes on. Everyone screams the chorus, and nobody stops to think: who actually wrote this thing? A lot of the songs we sang in the car or danced to at parties were handed off, sold, recorded by someone else, and became massive hits under a different name . Let's take a look at 10 of the most famous examples.
1
"Hound Dog"
, Elvis Presley
Elvis made this song his signature, and it's hard to imagine it belonging to anyone else. But "Hound Dog" was written in 1952 by Jerry Leiber and Mike Stoller, and was first recorded by Big Mama Thornton, a blues singer from Alabama. Her version was a raw, powerful blues track, and it was a genuine hit.
Elvis recorded his version in 1956 and turned it into something faster, rockabilly, electrifying . For anyone who grew up in the '50s or '60s, it probably takes you right back to a specific moment: a sock hop, a drive-in, a transistor radio on a summer night. It carries a kind of pure rock-and-roll energy: rebellious, playful, unstoppable.
2
"Livin' on a Prayer"
, Bon Jovi
Pumping fists, packed arenas, everyone screaming "Whooooa, we're halfway there!", it's the kind of energy that doesn't age. Jon Bon Jovi and Richie Sambora wrote it together in 1986, along with songwriter Desmond Child , pulling inspiration from the working-class New Jersey world around them.
The song hit number one in the U.S. and became an anthem for anyone who's ever had to scrape by and stay hopeful. It brings out something almost joyful in people: this defiant, communal "we're going to make it" spirit.
3
"I Will Always Love You"
, Whitney Houston
Most people under 50 think this is a Whitney Houston song, but Dolly Parton wrote it back in 1973, sitting in Nashville. She was leaving her mentor and business partner, Porter Wagoner, to go solo, and the song was her way of saying goodbye: with love, but firmly.
Then Whitney came along in 1992 for The Bodyguard soundtrack and turned it into a stadium-sized emotional explosion. Where Dolly's version was warm and heartfelt, Whitney's was pure power. It connects to just about everyone, but especially to people who've ever had to let someone go. Which version do you like best?
4
"Respect"
, Aretha Franklin
This is one of those cases where the cover so thoroughly eclipses the original that most people don't even know an original exists. Otis Redding wrote and recorded "Respect" in 1965, and it was a decent soul hit for him; a man asking his woman for a little respect when he comes home.
Then Aretha Franklin got hold of it in 1967, rewrote parts of it, added that now-iconic spelling-out of the word, and completely flipped the meaning . Suddenly, it was a woman demanding respect from men, from society, from everyone. It became an anthem of the civil rights movement, the women's movement, and basically every movement that involved people standing up and saying enough.
5
"Girls Just Want to Have Fun"
, Cyndi Lauper
Cyndi Lauper made this song her own so completely that it's almost shocking to learn she didn't write it. Robert Hazard, a Philadelphia-based musician, wrote it around 1979 as a kind of tongue-in-cheek song from a man's point of view, about his own desire to just have fun without commitment.
When Cyndi recorded it in 1983, she completely reframed it: it became a declaration of independence for young women who just wanted to live their lives on their own terms . If you had a daughter, a niece, or any teenage girl in your life in the '80s, you heard this song approximately ten thousand times.
6
"Nothing Compares 2 U"
, Sinead O'Connor
Few music videos have hit people as hard as Sinead O'Connor, alone on screen, tears streaming down her face, singing this song in 1990. It felt impossibly raw and personal. But the song was written by Prince back in 1984, and was first recorded by a side project of his called The Family.
Sinead stripped it down and made it devastating. It became one of the most emotionally powerful recordings of the decade . You probably heard it on adult contemporary radio, or remember exactly where you were the first time you really listened to it. It's a song about grief and absence and not being able to fill a void someone left behind.
7
"I Love Rock 'n' Roll",
Joan Jett & the Blackhearts
Few songs scream pure, unapologetic rock and roll like this one. But Joan Jett didn't write it: a British glam rock band called The Arrows did, back in 1975, in London. Lead singer Alan Merrill said he wrote it as a direct response to the Rolling Stones' "It's Only Rock 'n Roll," which he felt was a little too apologetic about loving the music.
Joan Jett saw The Arrows perform it on British TV in 1976 while touring the UK with The Runaways, and the song stuck with her . She recorded it in 1981, and it rocketed to number one, sitting there for seven weeks. You've heard it blasting from jukeboxes, at sports events, in movie montages, at pretty much every party where someone wanted to get the energy up fast.
8
"I Don't Want to Miss a Thing"
, Aerosmith
Tyler belting it out, that unmistakable raspy voice: it feels so Aerosmith. But the song was actually written by Diane Warren, one of the most prolific and successful songwriters in pop history , who penned it in 1998 specifically for the movie Armageddon. Warren has said she wrote it while watching her boyfriend sleep, thinking about not wanting to miss a single moment with someone you love.
Aerosmith recorded it, and it became their first number-one pop hit. It hits hard for anyone who's ever been deeply in love, or who's lost someone and wishes they'd paid more attention while they had the chance.
9
"Bette Davis Eyes",
Kim Carnes
This was the biggest song in America in 1981, and it spent nine weeks straight at number one on the Billboard Hot 100 . Kim Carnes' raspy, smoky delivery made it feel completely hers. But the song was written in 1974 by Jackie DeShannon and Donna Weiss, both inspired by a classic old Hollywood film . DeShannon recorded her own version, but it barely registered.
Seven years later, Carnes took it into a Los Angeles studio, added a driving synth arrangement that was pure early MTV, and transformed it into the sound of an era. The real-life Bette Davis, then 73 years old, wrote personal letters to the songwriters and to Carnes to thank them for making her "a part of modern times." The song connected with anyone who'd ever been dazzled by someone they couldn't quite figure out, which is pretty much everyone.
10
"Blame It on the Rain"
, Milli Vanilli
You probably remember the Milli Vanilli scandal: in 1990, it came out that Fab Morvan and Rob Pilatus, the two beautiful, dreadlocked faces of the duo, hadn't actually sung a single note on their records . The real vocals were by studio singers. Their Grammy was revoked. It was a whole thing.
But before all that exploded, "Blame It on the Rain" was a legit #1 pop hit in 1989. It was written by Diane Warren (yes, the same woman who wrote "I Don't Want to Miss a Thing"), and it's a smooth, sweet ballad about blaming the weather for a relationship going wrong. You probably heard it on pop radio, maybe slow-danced to it without knowing what you were slow-dancing to.
