1

Snap the Whip - 1872

Image: Winslow Homer, CC0, via Wikimedia Commons

Winslow Homer was a self-taught artist from Boston, best known for his Civil War paintings, which he created at the request of Harper's Weekly magazine. But after the war, Homer moved to a totally different subject matter: childhood. The artist painted the life of American children as a world unto itself, where adults seemed to have no influence.

Homer's children, like the ones depicted in Snap the Whip , can be compared to similar literary characters of the time, like Louisa May Alcott's Little Women and Mark Twain's Tom Sawyer . They are potential America, the stock from which renewal will spring in the aftermath of the Civil War: young, strong, quick-witted, practical, and without pretense. The piece can now be viewed at The Met in New York City.

2

Whistler’s Mother - 1871

Image: James McNeill Whistler, CC0, via Wikimedia Commons

James Abbott McNeill Whistler (1834-1903) was a painter mainly active during the American Gilded Age and a leading proponent of the motto "art for art's sake." Whistler’s best-known piece is a painting entitled Arrangement in Grey and Black No. 1: The Artist’s Mother . While it is a portrait of his mother, the identity of the woman, according to the artist, should be of no interest to the viewer, only the formal layout of grays and blacks.

For Whistler, art was not about moral instruction or storytelling but, instead, about formal perfection. He believed that artists should not simply replicate what they see in nature but express their emotional response to it. Art should be filled with sentiment, not sentimentality. These ideas formed the basis of the Aesthetic Movement of the 1870s and 1880s and influenced several American artists.

3

Madame X - 1884

Image: John Singer Sargent, CC0, via Wikimedia Commons

It may seem totally innocent to us today, but in the late 19th century, this piece was a true scandal. Madame X , by John Singer Sargent (1856-1925), is a portrait of Virginie Gautreau, a young woman born in New Orleans who moved to Paris after her father’s death. There, she married a wealthy man twice her age and became the talk of the town, due to her independent character and her alleged infidelities.

Virginie posed for Sargent, the world's most sought-after portrait painter of his time, and the work turned out to be as rebellious, elegant, and striking as its model. Sargent always thought that this was his masterpiece, but the public hated it. Shortly before his death, he donated the painting to the Metropolitan Museum of Art in New York, saying, "I suppose it is the best thing I have done."

4

The Child’s Bath - 1893

Image: Mary Cassatt, Public domain, via Wikimedia Commons

Mary Cassatt (1845-1926) was not only one of the foremost American Impressionists but also an outstanding woman painter of the 19th century. She was raised and initially trained in Philadelphia before moving to Paris, where she befriended prolific Impressionists like Edgar Degas. However, Cassatt’s subject matter was very different from that of her French counterparts. She depicted a distinct world, drawn from her own strong family interests: sociable encounters over tea, fashionable women in theaters or drawing rooms, and mothers with their babies.

For example, The Child's Bath not only reflects Cassatt’s technical ability but also serves as a testament to her exploration of motherhood and female roles . Her approach succeeds in capturing everyday life, and the painting is remarkable for its composition and use of color. This piece, like many of her works, stands as a reminder of the value of small, deeply meaningful moments that make up culture and life in all its complexity.

5

American Gothic - 1930

Image: Grant Wood, Public domain, via Wikimedia Commons

Perhaps one of the most famous houses in America is located in Eldon, a tiny community in southern Iowa. Contrary to what one might think, no one of distinction, notoriety, or power has ever lived in this house. Its fame is owed entirely to artist Grant Wood (1891-1942), who used it in the background of his painting American Gothic .

Wood enlisted his sister Nan to pose as the woman and recruited a dentist from Cedar Rapids, B. H. McKeeby, as the man. The painting won a prize in Chicago in 1930 and was instantly catapulted to national fame. Since then, it has been reproduced and satirized by popular culture to exhaustion and is now one of the most recognizable American paintings. Wood's American Gothic honors those who settled the land and has become an iconic representation of American identity and resilience.

6

Nighthawks - 1942

Image: Edward Hopper, Public domain, via Wikimedia Commons

Edward Hopper (1882-1967) studied at the New York Institute of Art and Design and worked for many years as a magazine illustrator. Although he didn't particularly enjoy this job, it helped sharpen his compositional skills. Thanks to these influences, Hopper's work has come to typify the American Realism movement. His paintings convey the sense that the events depicted are taking place in front of the viewer in the here and now, as seen in his famous diner scene, Nighthawks .

In this stark, impassive, realist painting, Hopper evokes a powerful sense of urban alienation, highlighting the isolation. The bright fluorescent light in the all-night diner contrasts strongly with the surrounding gloom outside and immediately transports us to a scene from a film noir movie. Exhibited at the Art Institute of Chicago, Nighthawks is considered one of Hopper's masterpieces and is worth visiting at least once in a lifetime.

7

Untitled (Violet, Black, Orange, Yellow on White and Red) - 1949

Image: chummels

Mark Rothko (1903-1970), along with Jackson Pollock, was one of the greatest representatives of American abstraction . He is best known for his color field paintings. Through his work, he sought to achieve an ambitious utopia: to express the most basic universal emotions.

When Rothko painted Untitled (Violet, Black, Orange, Yellow on White, and Red) he was arriving at a point of maturity in what was a highly nuanced and distinct visual style. He had abandoned any remaining references to recognizable imagery, and the result is a painting with a great expressive force. Rothko used to say that he preferred to paint large pictures because he wanted to be very intimate and human. In this work, he achieves this immersion entirely through his sensitive use of color.

8

Autumn Rhythm (Number 30) - 1950

Image: Simi Iluyomade

Jackson Pollock (1912-1956) was a leading figure in Abstract Expressionism and is best known for his "drip technique." Pollock's drip method entailed placing a canvas on the floor and then dripping, pouring, and at times throwing paint over its surface. Although his technique appeared to favor chance, the artist stressed that everything in his paintings was fully intentional.

One of his most emblematic works is Autumn Rhythm (Number 30) , which is currently on display at the Metropolitan Museum of Art in New York. If you ever have the chance to see this piece in person, know that Pollock believed contemplation of his paintings allowed the viewer to access personal and unconscious responses to the modern world. As Pollock advised, the viewer should look passively and "try to receive what the painting has to offer."

9

Twenty Marilyns - 1962

Image: pvdberg

Andy Warhol (1928-1987) started making paintings of Marilyn Monroe shortly after her death. He used a black and white publicity photograph taken by Gene Korman for the 1953 movie Niagara to create a stencil for silk-screen printing, a technique he had adopted for transferring photographic images to canvas. Over the course of four months, Warhol created more than twenty works based on the Korman photograph.

What Warhol called the "assembly line effect" of the repeated image aimed to criticize the supposed uniqueness of the work of art in a world of mass reproduction and mass media. Yet, the repetitive Marilyns are full of small variations, as the paint is applied by hand. Twenty Marilyns is such an iconic work of American art history that, in a 2004 article published in The Guardian , it was named the third most influential piece of modern art in a survey of 500 artists, critics, and other members of the art world.

10

Whaam! - 1963

Image: Eric Koch, CC0, via Wikimedia Commons

Apart from Andy Warhol, perhaps the greatest exponent of American Pop Art is Roy Lichtenstein (1923-1997). Lichtenstein was mainly drawn to action and true romance comic strips. Through his depictions of fighter pilots and tearful drowning damsels, he drew attention to the constructed nature of gender roles. Lichtenstein's exaggeration of these gender stereotypes in comic book characters led some critics to recognize his paintings as true works of art.

Whaam! , based on a comic book panel published by DC Comics in 1962, is Lichtenstein's witty and irreverent reaction to the contemporary popularity of Abstract Expressionism. With this piece, the artist attempted to deflate that movement's pomposity by presenting pictorial subject matter based on what was regarded as crass commercial art. Since Whaam! , Lichtenstein was viewed by the public eye as the ultimate American master of Pop Art.

1

The MapQuest printout ritual

For many travelers, the trip really began here: sitting at the computer just minutes before leaving and printing turn-by-turn directions from MapQuest. The printed pages listed every step of the route, including the distance between each turn. This method was probably the one that marked the transition from traditional paper navigation to modern GPS systems.

2

Free maps at gas stations

Back in the 1920s, advertising executive William Akin came up with an idea to promote the new Gulf Refining Company gas stations. At the time, drivers still had to buy gasoline in five-gallon containers because service stations were uncommon. Akin proposed distributing free local maps in each area where these Gulf stations were located.

The idea spread quickly, and other gas companies soon adopted the same strategy. Over time, gas stations became natural stops for travelers, and many stations eventually began selling maps instead of giving them away.

3

The American Automobile Association Trip Triks

No way you forgot this one! If you were a member of the American Automobile Association, you had access to Trip Triks: spiral-bound booklets customized for each traveler’s route. AAA staff highlighted the exact path on the map, marking gas stations, hotels, and attractions along the way.

4

Lost? Find a phone booth

Lost in the big city? Step into a phone booth. Back then, many phone booths had maps inside showing nearby streets and landmarks. If you were lost, all you had to do was step inside, and within a few minutes, the problem was solved. The good news was that big cities had a phone booth on almost every major corner and intersection, so if the one you stopped by was already taken, you only had to walk a few steps to find another.

5

The thick book that lived in every car

The city street atlas. One of the best companions for drivers, if not the very best. These thick books showed detailed maps of entire cities, page by page. If you spotted a street sign but had no idea where you were, you could look up that street in the atlas index. It would point you to the exact page and grid where the street appeared, helping you figure out your next move. Do you remember flipping through a street atlas to find your way across a city?

6

Asking locals for directions

Following directions back then required a bit of blind faith. You might hear something like, "Drive a few miles and turn left when you see the church," or "After the green restaurant, take the second road on the right." In rural areas, where road signs were scarce, a local’s guidance was often the best map you could get. Sometimes those directions were the only way to find a place that didn’t appear on any map. Have you ever followed directions like these and hoped for the best?

7

The co-pilot seat

This trick required teamwork. If you weren’t traveling alone, one passenger was usually designated as the "navigator." Their role? Reading the map, watching for road signs, and warning the driver about upcoming turns. A good navigator also had to learn the driver’s rhythm: when to speak up, when to stay quiet, and how quickly directions needed to be given. The best driver–navigator pairs worked together almost like Batman and Robin.

8

The Rand McNally Road Atlas

The Rand McNally Road Atlas is one of the most iconic travel tools in American road trip history. The atlas includes detailed maps of every state, showing highways, towns, and points of interest across the United States. For decades, it was a common sight in glove compartments and truck cabins, guiding travelers from city to city. Unlike digital navigation, the atlas allowed drivers to see the entire route and explore alternative roads along the way. Even today, many travelers still keep one as a backup option when cell service or GPS fails.

9

Following highway numbers

During the era of long road trips, drivers didn’t worry much about street names. Instead, they followed highway numbers. If you got on the right road, like Route 66 or U.S. Route 1, you could relax and stay on it for miles and miles, sometimes across several states. As long as the number on the signs stayed the same, you knew you were still on the right path. This approach later helped inspire the Interstate Highway System, which made traveling across the country even easier.

10

The church, the bridge, the water tower

Here's one of the classic road trip tricks: remembering landmarks along the road. This method required both memory and self-trust. Instead of coordinates or exact addresses, travelers remembered particular spots. They learned to look for things that stood out, like churches, bridges, water towers, or unusual buildings. When you reached the right one, you knew when it was time to turn. What landmarks did you rely on the most?

1

Franklin

Image: Brett Wharton

Also known as the Free Republic of Franklin or the State of Frankland, this short-lived territory in eastern Tennessee declared independence from North Carolina in 1784. Its founders even petitioned Congress and appealed to Benjamin Franklin for support—hence the name—but it never gained official recognition.

By 1788, the movement had collapsed, and the area was reabsorbed into North Carolina before eventually becoming part of Tennessee in 1796. Today, the "State of Franklin" lives on mostly in U.S. law school exams as a fictional stand-in for a generic state —often where the imaginary property Blackacre is located.

2

Jefferson

Image: Shelby White

This proposed state has its origins in the 19th-century California Gold Rush, when settlers in the remote, resource-rich region between northern California and southern Oregon pushed for self-governance.

Though their efforts were largely ignored, the movement resurfaced over time. In 1941, frustrated locals staged a symbolic one-day secession. Armed men stopped traffic near Yreka, handing out a Proclamation of Independence declaring the State of Jefferson in "patriotic rebellion" and vowing to "secede every Thursday until further notice."

3

Deseret

Image: SoloTravelGoals

Proposed by Mormon settlers in 1849, the State of Deseret would’ve spanned a massive portion of the West. The name Deseret is derived from the word for "honeybee" in the Book of Mormon, and the vision was of a theocratic state encompassing parts of present-day Utah, Nevada, Arizona, and beyond.

Congress denied the proposal due to its size and religious nature, but a stone donated by Deseret’s supporters in 1853 was still placed in the Washington Monument.

4

Sequoyah

Image: MJ Tangonan

Proposed in 1905, this would’ve been a Native American–majority state in what is now eastern Oklahoma. Despite extensive lobbying by representatives of the Five Civilized Tribes, Congress refused, preferring a single Oklahoma Territory.

Despite its failure, the proposed state’s constitution left a lasting legacy —much of its content was later adopted into the Oklahoma Constitution.

5

Absaroka

Image: Michael Bourgault

Named after the Crow word for "children of the large-beaked bird," the State of Absaroka was proposed in 1939. Comprising parts of Wyoming, Montana, and South Dakota, the idea emerged mainly as a protest against New Deal policies, which were deeply resented by the rural population.

Leaders of the movement even issued license plates, but the effort never gained serious traction and remained a largely symbolic gesture.

6

Westsylvania

Image: Matthew Lancaster

Proposed during the Revolutionary War, Westsylvania would have been a new state formed from the western parts of Virginia and Pennsylvania . Backwoods settlers, feeling neglected by distant colonial governments, sought self-governance.

However, Congress rejected the plan to avoid stirring further conflict during wartime.

7

Superior

Image: Mikaela Charette

With such a strong regional identity, it was perhaps inevitable that Michigan’s Upper Peninsula would eventually seek statehood. Efforts began as early as the 1850s and resurfaced repeatedly due to the region’s political and economic isolation.

Another proposed name for the state was Ontonagon. Despite these repeated attempts, the Upper Peninsula remained part of Michigan.

8

Lincoln

Image: K. Mitch Hodge

Named for Abraham Lincoln, this proposed state would have split the Texas Panhandle from the rest of the state. Throughout the 1860s and again in the 1880s, residents of the Panhandle and surrounding areas sought separation due to the region’s distance from Austin and cultural differences.

While none of the proposals gained enough federal support, residents of the area still feel distinct today and take pride in their unique identity.

9

Texlahoma

Image: Tommy Bond

Another failed attempt at carving out part of one of the largest states in the U.S., the State of Texlahoma would have—as its name suggests—combined portions of Texas and Oklahoma into a single state.

The push for autonomy was especially strong during the Dust Bowl, when a shared economy and perceived neglect by local governments united residents of both regions.

10

Columbia (D.C. Statehood)

Image: Heidi Kaden

Washington, D.C., has long been considered for statehood under the name of Columbia . Multiple bills and referenda have tried to turn the federal district into the 51st state, as residents pay federal taxes but lack voting representation in Congress.

Despite strong support among D.C. residents, the idea has yet to gain serious traction at the national level.