1

Pulling out the good china

Image: Zoshua Colah

In the past, people often had a set of special dishes reserved for holidays or important guests to make meals feel more memorable.

Today, many people use just one set of dishes and often eat casually, sometimes even standing over the sink. Taking the time to create a pleasant dining experience can show respect not only for your guests but also for yourself .

2

Good table manners

Image: Noah Samuel Franz

Good table manners are often mistaken for being overly formal or pretentious, but that couldn’t be further from the truth.

The true purpose of practicing polite dining habits is to make sure everyone enjoys a relaxed and pleasant meal together , and it’s often easier to practice than most people realize.

3

Not taking off your shoes in public

Image: Beth Macdonald

Recently, there’s been a noticeable trend of people going shoeless in places like airplanes and restaurants. As society grows more casual, some even put their bare feet on seats, armrests, or tables.

However, it's best to keep your shoes on in public unless your host specifically asks you to remove them.

4

Standing when greeting someone new

Image: Musemind UX Agency

When meeting someone for the first time or welcoming someone into a group, it's polite to stand as a gesture of acknowledgment .

This simple act, expected of both men and women, conveys both warmth and respect.

5

Making introductions

Image: Elevate

Making introductions is becoming less common, yet it remains one of the most valuable social skills. Even if you forget someone’s name, it’s always better to ask than to risk letting them feel left out in a group.

Good manners are all about helping others feel at ease , and introductions don’t have to be uncomfortable or awkward when done with a little thought and effort.

6

Thank-you notes

Image: Kelly Sikkema

While everyone enjoys being thanked, it has become rare for people to express gratitude in a lasting way. Any form of thanks, including a text or email, is appreciated, but a handwritten thank-you card remains the most meaningful .

The personal touch of seeing your handwriting shows thoughtfulness, and many people cherish and keep these cards, something that’s much harder to do with digital messages.

7

Asking permission

Image: Dias ^

In a society where people often say, "It’s easier to apologize than to ask for permission," many act without asking, whether it’s hugging someone, posting their picture online, or taking a bite of their food.

However, it’s always more polite to ask before doing anything that involves or affects someone else . A simple question like "Are you okay with this?" can go a long way toward showing respect without taking up much time.

8

Opening doors for men and women

Image: Jan Tinneberg

Chivalry may have some outdated interpretations, but politeness is something everyone can practice, regardless of gender . Simple acts like holding the door open are easy to do and appreciated by everyone.

9

Holding the elevator

Image: Derrick Treadwell

In today’s world, many people are either too wary of strangers or adopt a "not my problem" attitude when seeing someone struggle in public. But as long as there’s no safety concern, it's important to continue practicing simple courtesies, like holding the elevator door for someone in a hurry .

10

Returning phone calls

Image: Hassan OUAJBIR

As society evolves, so does etiquette, especially with the rise of new technology, but some shifts aren't always for the better. A common example is responding to a phone call with a text message.

While some people may prefer texting over speaking on the phone, it’s still considered polite to return a call with another phone call , particularly when someone has taken the time to reach out to you.

11

No sunglasses indoors

Image: Lucas George Wendt

These days, it’s common to see people wearing sunglasses everywhere, even in places like movie theaters, but it raises a question: Are we avoiding others, or simply hiding behind our shades?

Eye contact is essential for effective communication, as it demonstrates respect and facilitates understanding. While it's fine to wear sunglasses outdoors, it’s best to take them off indoors to engage properly with others.

12

RSVP’ing promptly

Image: Artsy Vibes

With the rise of casual invites, often sent by email or social media, RSVPing has become increasingly rare. Failing to respond to an invitation is not only poor etiquette but also inconsiderate.

Hosts put significant time and effort into planning events, from buying food to organizing entertainment. Not RSVPing or waiting until the last minute only makes their job harder.

1

Nate Thurmond

Image: Salah Regouane

In the 1960s and early ’70s, Nate Thurmond anchored the middle for the Golden State Warriors, outmuscling giants and grabbing rebounds as if the ball belonged only to him. Later, with the Cleveland Cavaliers, he became the kind of veteran every young team needs—steady, selfless, and always doing the dirty work that doesn’t make the headlines but wins the crowd’s respect. Both franchises retired his No. 42, a fitting tribute to a blue-collar superstar.

2

Pete Maravich

Image: daschorsch

Playing in the 1970s, Pete "Pistol Pete" Maravich starred for the Atlanta Hawks and later the New Orleans Jazz. His ball-handling and creativity—whirling passes, deep jumpers—looked like magic tricks that made crowds gasp. After a 10-year professional career and being named an All-Star five times, Atlanta retired his No. 44, and both the Utah Jazz and the New Orleans Pelicans hung his No. 7 jersey.

3

Moses Malone

Image: Abhay siby Mathew

Moses Malone was a rebounding machine, plain and simple. He dominated the boards for the Houston Rockets and then the Philadelphia 76ers, where he helped deliver a championship after famously predicting "Fo’, fo’, fo’." Both franchises honored him by retiring his No. 24 (Rockets) and No. 2 (76ers), a fitting salute to one of the game’s toughest, hardest-working big men.

4

Bob Lanier

Image: Batu Gezer

Bob Lanier, known both for his silky post moves and those legendary size-22 shoes, was a true powerhouse of the 1970s. With the Detroit Pistons, he combined strength and finesse, scoring with a soft touch and rebounding like a man on a mission. Later, in Milwaukee, he brought the same fire and leadership to a younger Bucks team, proving that experience could be just as valuable as raw talent. It’s no wonder both Detroit and Milwaukee raised his No. 16 to the rafters, honoring a giant whose big shoes came with an even bigger heart.

5

Charles Barkley

Image: Abhay siby Mathew

Charles Barkley was never the tallest guy on the court—just 6 ft 6 in—but with roughly 252 pounds of muscle, grit, and pure attitude, he played like a bulldozer on wheels. Known as "The Round Mound of Rebound," he crashed the boards with fearless energy. In Philadelphia, he became a fan favorite for his fiery play and quick wit; in Phoenix, he shone even brighter, winning MVP and taking the Suns all the way to the Finals. Both franchises hung up his No. 34 as a salute to a player who made hard work look heroic.

6

Earl Monroe

Image: Chaojie Ni

Earl "The Pearl" Monroe brought poetry to the hardwood. In the 1960s and ’70s, his smooth, stop-and-go style made defenders freeze, and fans fall in love. Starting in Baltimore (now the Washington Wizards ), he turned the Bullets’ offense into a show: spin moves, crossovers, and jump shots that seemed to hang in the air. Then came his move to New York, where he teamed up with Walt Frazier to create one of the most graceful backcourts the NBA has ever seen. Both the Knicks and Wizards retired his No. 15 and No. 10: Monroe’s creativity made basketball feel like jazz.

7

Clyde Drexler

Image: Markus Spiske

In Portland, Clyde "The Glide" Drexler soared with effortless grace, gliding past defenders and making the rim look weightless. His mix of speed, style, and quiet confidence made him the heartbeat of the Trail Blazers through the 1980s and early ’90s. When he returned home to Houston in the mid-’90s, he helped secure a championship ring for the Rockets . Today, his No. 22 jersey hangs in the rafters in both Portland and Houston—a lasting tribute to a man who truly lived up to his nickname.

8

Oscar Robertson

Image: Abhay siby Mathew

What if you averaged a triple-double before anyone thought it was possible? Oscar Robertson did just that in the 1960s, stuffing the stat sheet for the Cincinnati Royals (now Sacramento Kings ) and later winning a title for the Milwaukee Bucks, cementing his legacy as one of the game’s all-time greats. Both franchises retired his numbers 1 and 14, honoring the "Big O," one of the greatest players in NBA history.

9

Julius Erving

Image: Abhay siby Mathew

Long before modern dunks, Julius "Dr. J" Erving was taking flight, turning layups into art and slam dunks into poetry. He first captivated fans with the Nets in the ABA before becoming a true icon in Philadelphia . Both teams honored his brilliance: the Nets retired his No. 32 , and the 76ers lifted his No. 6 into the rafters. When you change the game, you don’t just earn a banner—you earn two.

10

Wilt Chamberlain

Image: Tim Hart

Not many players inspire stories that sound too wild to be true, so if basketball had tall tales, Wilt Chamberlain would star in all of them. A 7-foot-1 force of nature, a giant with legendary scoring numbers—including a 100-point game—Wilt’s dominance stretched across the Golden State Warriors, Philadelphia 76ers, and Los Angeles Lakers. All three teams retired his No. 13.

11

Shaquille O’Neal

Image: Luis Montejo

A 7-foot-1, 325-pound tower of strength, Shaq shook backboards, rims, and entire defenses. After playing college basketball, O'Neal was drafted by the Orlando Magic, where he played for four years. Later, he starred with the Lakers, winning three consecutive titles, then helped the Miami Heat capture its first championship. All three franchises retired his No. 32 and No. 34 jerseys, because when Shaq arrived, the fun—and the winning—followed.

12

Kareem Abdul-Jabbar

Image: Alex Haney

With his skyhook reaching somewhere near the clouds, Kareem Abdul-Jabbar scored more points than anyone in NBA history for decades. He led the Milwaukee Bucks to a title, then added five more with the Lakers. Both franchises retired his iconic No. 33, honoring a player who blended grace and dominance like no one else.

13

Dikembe Mutombo

Image: Finnian HaDiep

One of the best shot-blockers and defensive players of all time, Dikembe Mutombo protected the paint like a personal fortress. He blocked shots, grabbed rebounds, and smiled through it all. The Denver Nuggets loved him. The Atlanta Hawks loved him. Both retired his No. 55. And yes, fans still remember that famous wagging finger after a big block.

14

Michael Jordan

Image: Abhay siby Mathew

Of course, "His Airness" would be on this list! Michael Jordan’s No. 23 isn’t just a jersey—it’s an icon. In Chicago, it hangs high as a symbol of six championships, clutch shots, and a golden era that fans still replay in their minds like a favorite movie. But there’s more: the Miami Heat have honored his number too, even though Jordan never suited up for them. Call it courtesy, call it class, but wherever you go, No. 23 still means one thing: Michael Jordan was here.

1

Snap the Whip - 1872

Image: Winslow Homer, CC0, via Wikimedia Commons

Winslow Homer was a self-taught artist from Boston, best known for his Civil War paintings, which he created at the request of Harper's Weekly magazine. But after the war, Homer moved to a totally different subject matter: childhood. The artist painted the life of American children as a world unto itself, where adults seemed to have no influence.

Homer's children, like the ones depicted in Snap the Whip , can be compared to similar literary characters of the time, like Louisa May Alcott's Little Women and Mark Twain's Tom Sawyer . They are potential America, the stock from which renewal will spring in the aftermath of the Civil War: young, strong, quick-witted, practical, and without pretense. The piece can now be viewed at The Met in New York City.

2

Whistler’s Mother - 1871

Image: James McNeill Whistler, CC0, via Wikimedia Commons

James Abbott McNeill Whistler (1834-1903) was a painter mainly active during the American Gilded Age and a leading proponent of the motto "art for art's sake." Whistler’s best-known piece is a painting entitled Arrangement in Grey and Black No. 1: The Artist’s Mother . While it is a portrait of his mother, the identity of the woman, according to the artist, should be of no interest to the viewer, only the formal layout of grays and blacks.

For Whistler, art was not about moral instruction or storytelling but, instead, about formal perfection. He believed that artists should not simply replicate what they see in nature but express their emotional response to it. Art should be filled with sentiment, not sentimentality. These ideas formed the basis of the Aesthetic Movement of the 1870s and 1880s and influenced several American artists.

3

Madame X - 1884

Image: John Singer Sargent, CC0, via Wikimedia Commons

It may seem totally innocent to us today, but in the late 19th century, this piece was a true scandal. Madame X , by John Singer Sargent (1856-1925), is a portrait of Virginie Gautreau, a young woman born in New Orleans who moved to Paris after her father’s death. There, she married a wealthy man twice her age and became the talk of the town, due to her independent character and her alleged infidelities.

Virginie posed for Sargent, the world's most sought-after portrait painter of his time, and the work turned out to be as rebellious, elegant, and striking as its model. Sargent always thought that this was his masterpiece, but the public hated it. Shortly before his death, he donated the painting to the Metropolitan Museum of Art in New York, saying, "I suppose it is the best thing I have done."

4

The Child’s Bath - 1893

Image: Mary Cassatt, Public domain, via Wikimedia Commons

Mary Cassatt (1845-1926) was not only one of the foremost American Impressionists but also an outstanding woman painter of the 19th century. She was raised and initially trained in Philadelphia before moving to Paris, where she befriended prolific Impressionists like Edgar Degas. However, Cassatt’s subject matter was very different from that of her French counterparts. She depicted a distinct world, drawn from her own strong family interests: sociable encounters over tea, fashionable women in theaters or drawing rooms, and mothers with their babies.

For example, The Child's Bath not only reflects Cassatt’s technical ability but also serves as a testament to her exploration of motherhood and female roles . Her approach succeeds in capturing everyday life, and the painting is remarkable for its composition and use of color. This piece, like many of her works, stands as a reminder of the value of small, deeply meaningful moments that make up culture and life in all its complexity.

5

American Gothic - 1930

Image: Grant Wood, Public domain, via Wikimedia Commons

Perhaps one of the most famous houses in America is located in Eldon, a tiny community in southern Iowa. Contrary to what one might think, no one of distinction, notoriety, or power has ever lived in this house. Its fame is owed entirely to artist Grant Wood (1891-1942), who used it in the background of his painting American Gothic .

Wood enlisted his sister Nan to pose as the woman and recruited a dentist from Cedar Rapids, B. H. McKeeby, as the man. The painting won a prize in Chicago in 1930 and was instantly catapulted to national fame. Since then, it has been reproduced and satirized by popular culture to exhaustion and is now one of the most recognizable American paintings. Wood's American Gothic honors those who settled the land and has become an iconic representation of American identity and resilience.

6

Nighthawks - 1942

Image: Edward Hopper, Public domain, via Wikimedia Commons

Edward Hopper (1882-1967) studied at the New York Institute of Art and Design and worked for many years as a magazine illustrator. Although he didn't particularly enjoy this job, it helped sharpen his compositional skills. Thanks to these influences, Hopper's work has come to typify the American Realism movement. His paintings convey the sense that the events depicted are taking place in front of the viewer in the here and now, as seen in his famous diner scene, Nighthawks .

In this stark, impassive, realist painting, Hopper evokes a powerful sense of urban alienation, highlighting the isolation. The bright fluorescent light in the all-night diner contrasts strongly with the surrounding gloom outside and immediately transports us to a scene from a film noir movie. Exhibited at the Art Institute of Chicago, Nighthawks is considered one of Hopper's masterpieces and is worth visiting at least once in a lifetime.

7

Untitled (Violet, Black, Orange, Yellow on White and Red) - 1949

Image: chummels

Mark Rothko (1903-1970), along with Jackson Pollock, was one of the greatest representatives of American abstraction . He is best known for his color field paintings. Through his work, he sought to achieve an ambitious utopia: to express the most basic universal emotions.

When Rothko painted Untitled (Violet, Black, Orange, Yellow on White, and Red) he was arriving at a point of maturity in what was a highly nuanced and distinct visual style. He had abandoned any remaining references to recognizable imagery, and the result is a painting with a great expressive force. Rothko used to say that he preferred to paint large pictures because he wanted to be very intimate and human. In this work, he achieves this immersion entirely through his sensitive use of color.

8

Autumn Rhythm (Number 30) - 1950

Image: Simi Iluyomade

Jackson Pollock (1912-1956) was a leading figure in Abstract Expressionism and is best known for his "drip technique." Pollock's drip method entailed placing a canvas on the floor and then dripping, pouring, and at times throwing paint over its surface. Although his technique appeared to favor chance, the artist stressed that everything in his paintings was fully intentional.

One of his most emblematic works is Autumn Rhythm (Number 30) , which is currently on display at the Metropolitan Museum of Art in New York. If you ever have the chance to see this piece in person, know that Pollock believed contemplation of his paintings allowed the viewer to access personal and unconscious responses to the modern world. As Pollock advised, the viewer should look passively and "try to receive what the painting has to offer."

9

Twenty Marilyns - 1962

Image: pvdberg

Andy Warhol (1928-1987) started making paintings of Marilyn Monroe shortly after her death. He used a black and white publicity photograph taken by Gene Korman for the 1953 movie Niagara to create a stencil for silk-screen printing, a technique he had adopted for transferring photographic images to canvas. Over the course of four months, Warhol created more than twenty works based on the Korman photograph.

What Warhol called the "assembly line effect" of the repeated image aimed to criticize the supposed uniqueness of the work of art in a world of mass reproduction and mass media. Yet, the repetitive Marilyns are full of small variations, as the paint is applied by hand. Twenty Marilyns is such an iconic work of American art history that, in a 2004 article published in The Guardian , it was named the third most influential piece of modern art in a survey of 500 artists, critics, and other members of the art world.

10

Whaam! - 1963

Image: Eric Koch, CC0, via Wikimedia Commons

Apart from Andy Warhol, perhaps the greatest exponent of American Pop Art is Roy Lichtenstein (1923-1997). Lichtenstein was mainly drawn to action and true romance comic strips. Through his depictions of fighter pilots and tearful drowning damsels, he drew attention to the constructed nature of gender roles. Lichtenstein's exaggeration of these gender stereotypes in comic book characters led some critics to recognize his paintings as true works of art.

Whaam! , based on a comic book panel published by DC Comics in 1962, is Lichtenstein's witty and irreverent reaction to the contemporary popularity of Abstract Expressionism. With this piece, the artist attempted to deflate that movement's pomposity by presenting pictorial subject matter based on what was regarded as crass commercial art. Since Whaam! , Lichtenstein was viewed by the public eye as the ultimate American master of Pop Art.